Thursday, March 15, 2012

Cuba reinstates Christmas

HAVANA Nearly three decades after Christmas was canceled here,Cuba's Politburo said Tuesday that the holiday should be reinstated.

The declaration was a major concession to the Catholic Church,which is pushing to expand religious freedom in the tightlycontrolled Communist country.

The decision was spurred in part by Pope John Paul II's visit inJanuary. The pope urged President Fidel Castro to broaden the roleof religion in Cuban society. The recommendation is expected to beapproved by Castro's government within days.In a lengthy declaration that appeared Tuesday on the front pageof the Communist Party's official newspaper, Granma, the Politburoindicated that its …

BMW fined $3M for untimely 2010 recalls

WASHINGTON (AP) — Federal safety regulators say automaker BMW has agreed to pay $3 million for delays in reporting safety defects and recalls to the government.

The National Highway Traffic Safety Administration said Friday that an examination of 16 recalls issued by BMW of North America LLC in 2010 found evidence of a number of instances in which the automaker failed to report safety defects and recalls to the …

Summary Box: Greece raises $2.04B in debt auction

WHAT HAPPENED: Greece raised euro1.625 billion ($2.04 billion) in a debt auction, its first since getting bailed out in May. The sale of 26-week treasury bills was oversubscribed 3.64 times _ reflecting strong investor interest.

WHY IT MATTERS: The sale was an important test of Greece's financial recovery effort amid continued …

Wednesday, March 14, 2012

Black History

Black Fact

Source: BlackFacts.com

February 22, 1888

Painter Horace Pippin born

In West Chester, Pennsylvania, Black painter Horace Pippin was born. Pippin is considered one of the major American painters of his period. One of his more significant works, "John Brown Going to His Hanging," is owned by …

Dems to Elect First Female House Speaker

WASHINGTON - Jubilant Democrats prepared to elect Rep. Nancy Pelosi as the first woman to run the House of Representatives as the party takes control of both chambers of Congress for the first time in 12 years.

House Democrats planned quick action on legislative priorities that included boosting both the minimum wage and stem cell research. Democrats also said they would pressure President Bush to bring the troops home from Iraq.

The new Congress was to convene at noon Thursday, with Democrats still adjusting to the trappings of power, while Republicans grappled with their new role in the minority.

Pelosi, taking over as House speaker, promised immediate steps to …

House hurries toward passage of econ stimulus bill

Moving with remarkable speed, the Democratic-controlled House lined up eagerly Wednesday to approve $819 billion in spending increases and tax cuts at the heart of President Barack Obama's economic recovery program. Republicans fought the bill as wasteful.

"We don't have a moment to spare," Obama declared at the White House as Democrats hastened to do his bidding.

A mere eight days after Inauguration Day, Speaker Nancy Pelosi heralded a new era. "The ship of state is difficult to turn," said the California Democrat. "But that is what we must do. That is what President Obama called us to do in his inaugural …

Royals sweep Orioles for the season

Kevin Seitzer hit a sacrifice fly in the 12th inning Thursdaynight, leading the host Kansas City Royals to a 6-5 victory overBaltimore and a 12-game season sweep of the Orioles.

With one out in the 12th, Bill Pecota singled and Kurt Stillwellsent him to third with another single. Seitzer then hit a fly ballto left, scoring Pecota with the winning run.

Jeff Montgomery (5-2) worked one inning for Kansas City's fifthstraight victory. Tom Niedenfuer (1-3) took the loss.

The Orioles tied the score 5-5 in the ninth. With one out,pinch hitter Ken Gerhart reached second base when his grounder wentthrough third baseman Seitzer's legs and was bobbled by left …

Ex-Con Arrested in Death of Utah Woman

MURRAY, Utah - A convicted killer sought in the death of a woman who had befriended him in prison was found watching a portable television in a park shed, police said.

James Tolbert, 41, was arrested Thursday night at Memory Grove, a Salt Lake City park, after police received a tip, officials said.

"We're just very grateful that he's off the streets. ... He has a track record of injuring or killing people he knows," Murray police Detective Jeff Maglish said.

Tolbert was charged with murder in the death of Elizabeth Ann Poulson, 68, who was found strangled in her home in Murray, a Salt Lake City suburb, on Oct. 9.

Police said they found Tolbert's wallet …

Nation marks 9/11 with acts of volunteerism

The nation marked the eighth anniversary of the Sept. 11 terrorist attacks with rain-soaked remembrances and acts of volunteerism honoring those who rushed into danger to help.

Around the country, Americans packed up care packages for soldiers, planted gardens for low-income families and painted abandoned, boarded-up homes. The anniversary Friday was declared a day of service for the first time this year to pay homage to those who sacrificed their lives to save others from the burning World Trade Center.

Memorials in New York, at the Pentagon and at the crash site of United Airlines Flight 93 in Pennsylvania all took place under gray skies.

At the …

Principal Loses Post in Dating Controversy

WEDOWEE, Ala. The high school principal who opposed interracialdating at the prom was reassigned Monday on a unanimous vote by theschool board.

The Randoph County School Board voted to move Principal HulondHumphries to an administrative position in the board's centraloffice.

There was no immediate comment from Humphries, who had beenprincipal of Randolph County High School for 25 years.

The board's about-face comes after a weekend fire gutted theschool and less than a week after the U.S. Justice Department filed amotion for Humphries' removal pending trial on claims of …

Low asbestos levels in wood chips in Libby, Mont.

BILLINGS, Mont. (AP) — Initial test results show only low levels of asbestos contamination in piles of wood chips and bark that were widely used for landscaping in a northwest Montana town where hundreds of people have died from asbestos exposure, federal regulators said Thursday.

Low levels of asbestos were found in two of six wood chip samples taken from the grounds of a shuttered sawmill in the small town of Libby, said Environmental Protection Agency toxicologist Deborah McKean.

McKean described the initial results as promising but said more test results were needed to determine the human health risk.

The Associated Press reported in July that more than 15,000 tons …

Moon rocket scientist Konrad Dannenberg dead at 96

German rocket scientist Konrad Dannenberg, a member of the Wernher von Braun team that helped put man on the moon, has died at a Huntsville rehabilitation center. He was 96.

His wife said he died Monday of natural causes, according to The Huntsville Times newspaper.

Dannenberg had a role in developing the Redstone, Jupiter and Saturn rockets. The Saturn …

Australia loses 28th soldier in Afghanistan

CANBERRA, Australia (AP) — The death of a decorated commando during his fifth tour of duty in Afghanistan has left Australia's top military commander questioning Tuesday whether Australia is asking too much of its elite soldiers in a protracted campaign.

Australia's 300-strong Special Operations Task Group is the third largest special forces contribution in Afghanistan after the United States and Britain.

Sgt. Todd Langley, 35, was killed by a shot to the head in southern Afghanistan during a joint Australian-Afghan special forces operation Monday. A second Australian soldier who has not been named was seriously wounded in the same battle, Australian Defense Force chief Lt. Gen. David Hurley said Tuesday.

Hurley, who became Australia's top military commander on Monday, said the deaths of several decorated veterans of multiple six- and eight-month tours of duty in Afghanistan raise the question of whether too much is being asked of them.

"I think that's a fairly natural question to ask," Hurley told reporters. "How frequently can we send these people there?"

"But they put their hands up, they volunteer, they want to go," he added.

Prime Minister Julia Gillard said the decision on when an individual soldier from an elite Commando or Special Air Service Regiment had done enough was not one that a government could make.

"This has to be a case-by-case assessment and decision and it's not a discussion I have as prime minister," she told reporters.

"I've met with a number of soldiers who have been to Afghanistan three, four, five times and they talk to me about their enthusiasm to go back again," she said.

"Now not everybody would feel like that, and that's why of course command has to respond to the circumstances of the individual," she added.

Neil James, executive director of the security think tank Australian Defense Association, said few Australian soldiers have served more tours than Langley, although he knew of one who had done eight. He said the association believes Australia's special forces are over-stretched.

"There's a very small part of the national family fighting our current wars, and the Defense Association opinion is that they're bearing a disproportionate national responsibility," James said.

Langley is the 28th Australian soldier killed in Afghanistan since Australia joined the U.S.-led invasion in 2001.

The special forces are part of a 1,550-member Australian military contingent which is focused on training an Afghan National Army brigade to take security responsibility for Uruzgan province. Australia is the 10th largest military contributor to Afghanistan and the largest outside NATO.

Gillard said Australia is on track to withdraw troops in 2014.

Tuesday, March 13, 2012

Ocean science satellite set to launch after delay

VANDENBERG AIR FORCE BASE, California (AP) — A rocket ferrying an Earth-observing satellite is set to launch on a mission to measure the saltiness of the ocean from space.

The Delta 2 rocket is scheduled to blast off at 7:20 a.m. (10:20 a.m. EDT) Friday from Vandenberg Air Force Base after a 24-hour delay so crews could review an issue with the rocket's flight plan.

Weather looks good for liftoff.

The Argentine-built satellite carries a NASA instrument that will chart changes in ocean salt levels over three years. Other instruments from Canada, France and Italy will collect environmental data.

Scientists hope the $400 million mission will help better predict future climate change and short-term climate phenomena such as El Nino and La Nina.

Oil down nearly 3 percent on jobs report, dollar

NEW YORK (AP) — Oil prices fell Friday along with the prospects for global economic growth as the government reported the economy added no jobs last month.

Benchmark crude fell $2.48, or 2.8 percent, to finish at $86.45 after the Labor Department said employers stopped adding jobs in July. The unemployment rate remained at 9.1 percent.

The U.S. jobs report follows a weak manufacturing report from China and concerns that the lingering debt crisis in Europe continues to hold back economic growth there.

Put together, concerns are growing that the global economy is weakening. A weak economy reduces demand for oil and oil products such as diesel, jet fuel, and gasoline because fewer goods are shipped and people travel and commute less.

"We were doomy and gloomy before the jobs report and then the jobs number became the crescendo of all the bad news," said Phil Flynn, an analyst at PFGBest. "The big story is the global economic slowdown."

Brent crude, used to price oil in many international markets, fell $1.96 to end at $112.33 per barrel In London.

Gasoline prices remained high, however. The average retail price for gasoline in the U.S. rose about 2 cents on Friday to $3.647 per gallon according to AAA, Wright Express and Oil Price Information Service. That's the second highest level ever for this time of year. It was a little higher in 2008.

Oil was also pushed down as the dollar rose against the euro and some other currencies. Oil is priced in dollars and becomes more expensive to buyers with foreign currency — and less attractive — as the dollar get stronger.

Also, a Libyan official said Friday that five foreign oil and gas companies have returned to Libya to resuscitate production choked off by civil war and sanctions.

This encouraged traders that Libyan oil might begin flowing sooner than hoped, though most expect it to be several months before significant exports resume.

Concerns about the economy, the dollar and increased supply from Libya overwhelmed worries that Tropical Storm Lee in the Gulf of Mexico might interrupt oil production and push prices higher.

The storm has forced several oil companies to evacuate non-essential personnel from rigs in the region. Forecasters expect the storm to dump a foot or more of rain on parts of Louisiana starting this weekend.

"Several days of decreased oil and gas production and major inland flooding are clear concerns with this system," said Bob Haas, Weather Operations Manager and Meteorologist at MDA EarthSat in a report.

In other energy trading, heating oil fell 5.44 cents to finish at $2.9974 per gallon and gasoline futures lost 5.31 cents to finish at $2.8396 a gallon. Natural gas fell 17.8 cents, or 4.4 percent, to end the day at $3.872 per 1,000 cubic feet.

Jonathan Fahey can be reached at http://twitter.com/JonathanFahey

Representing quantity beyond whole numbers: Some, none, and part

Abstract Previous research has demonstrated how children develop the ability to use notational representations to indicate simple quantities. These studies have shown a developmental shift from the use of idiosyncratic, to analogical, to conventional, numerical notations. The present paper extends these findings by reporting the results from a study in which children from 3 to 7 years old were asked to write a representation to indicate a quantity presented in a game-like scenario. Three kinds of quantities were included: whole numbers, zeros, and fractions. The children's notations were shown to them shortly after they were produced and then again two weeks later to see if children could interpret them. The results showed the familiar developmental pattern towards increased use of conventional notations for all quantities. The ability to read the notations was greatest for conventional numbers where performance was at ceiling, lower for analogue representations, and very poor for idiosyncratic global recordings. Children's choice of a notational format was influenced almost entirely by their age and not by the quantity being represented. Children were able to solve the zero problems almost as well as they could the whole numbers, but their understanding and use of representations for fractions was very limited.

Young children are enthusiastic about counting and by about 3 or 4 years old apply this routine to many things in their environment, such as their age, the number of candies in a package, and the number of pieces of cake to be shared (Baroody, 1992; Fuson, 1988, 1991, 1992; Gallistel & Gelman, 1990, 1992; Gelman, 1993; Gelman & Gallistel, 1978). Nonetheless, their counting is not always successful and they do not necessarily understand the reference or meaning for the counting words they use (Fuson, 1988; Gelman & Gellistel, 1978; Wynn, 1992). This relationship between numbers and an abstract notion of quantity is part of the cardinal principle (Gallistel & Gelman, 1990, 1992; Gelman & Gallistel, 1978; Klein & Starkey, 1987). Therefore, the ability to count may overestimate children's grasp of cardinality, a crucial foundation of understanding concepts of quantity.

Children also spend the preschool years developing knowledge of the written forms that correspond to the numbers in the counting sequence (Tolchinsky Landsmann & Karmiloff-Smith, 1992). By the time they begin school, they are able to identify most of the numerals by naming the quantity to which they refer. But if children are not clear about the cardinal meanings of the numbers they have learned to count, then what do they believe is indicated by written notations for quantity? Just as children who can count (that is, know the spoken number names) do not necessarily understand the significance of those forms, so, too, children who appear to recognize these written representations may not fully understand what they indicate. What do children believe that written representations of quantity mean?

Researchers have found a discrepancy between children's ability to produce numerical notations and their understanding of what those notations represent (Bialystok & Codd, 1996; Fuson, Fraivillig, & Burghardt, 1992; Hughes, 1986; Kamii, 1981; Neuman, 1987; Sinclair, 1988, 1991; Sinclair, Siegrist, & Sinclair, 1982). The process of learning the relevant meanings for the notations is slow and continues to be refined during the time that children appear to use numerals with some facility. Fuson and Kwon (1992) propose that children learn the written patterns in the same way that they learn the spoken ones: Each numeral is associated with a particular number-word in the sequence to build up a set of meanings for the notations. With this development, the written notations become symbols for meaningful concepts of quantity.

Allardice (1977) conducted an early study on the origins of numerical symbolism for young children. She asked 3- to 6-year-olds to create written representations for some mathematical ideas. She placed small plastic mice on the table and asked the child to put something on paper to show how many there were. Almost half the 3-year-olds and 3quarters of the 4-year-olds used tallies, circles, or pictures to indicate quantity. The other children used more global representations that were not adequate for conveying quantitative information (i.e., individual letters or scribbles with writing-like characteristics which could not be interpreted). These children were questioned in a subsequent session to ascertain if perhaps they could interpret their responses. Typically, the child announced there was meaning but that they could not yet read. All the 5- and 6-yearolds were able to represent quantity, producing both analogue representations and written numerals.

Sinclair et al. (1982) pursued these developments in a similar study with children aged 4 to 6 years old. Again, children were asked to produce a representation to indicate various quantities of objects. Although most children used several notational types, there was a pattern in which the representations became increasingly complex with age. Children began by using global representations that did not correspond to quantity and then advanced to analogue representations (for example, tallies) that preserved numerical information through one-to-one correspondence. The most advanced types of representations were written numerals and alphabetically written number words, that is, numbers written as words.

Some studies have tried to provide children with more realistic situations in order to determine if context would improve performance. Sinclair and Sinclair (1984) presented children with drawings of familiar scenes or objects (for example, a birthday cake with five candles or a speed limit sign with the number 60 on it). Children were asked to identify the picture and objects in the scene. Then the number was indicated and children were asked various questions, such as "What is that?" "Can it be read?" "What does it say?" and "What does it mean?" The responses were classified as no response, numeral (the number is viewed in isolation of the scene), global (the number serves a general purpose), specific function (an understanding of the number and its function in the scene), or tag (the number is assumed to name the object on which it appears). The majority of children used global responses, for example, "It's a birthday party," and specific function responses, for example, "He's 5." Sinclair and Sinclair believe that global responses occur first in isolation and are then combined with specific responses. Through this process, the global response type should gradually disappear. Their results confirmed that the global responses decreased while specific function responses increased with age, as children came to understand that the numerical information is a significant aspect of the display.

Hughes (1986) described a comparable developmental trend in a study in which he asked children to represent the quantities 1, 2, 3 (defined by Hughes as small numbers,) 5 and 6 (large numbers) on paper. Toy bricks were placed on the table and children were asked, "Can you put something on paper to show how many bricks are on the table?" He categorized responses into four categories: idiosyncratic (scribbles), pictographic (representing the appearance of the objects as well as their numerosity), iconic (one-to-one correspondence between the number of marks and the number of bricks), and symbolic (conventional numbers). He found that the preschool children most often used iconic and idiosyncratic representations, and that there was a general move towards symbolic representations that made this the predominant choice for the 7-year-olds.

Bialystok and Codd (1996) extended this research by creating a more controlled experiment to study how children produced representations for quantity and how they subsequently interpreted their meanings. Children between 3 and 5 years old were asked to produce (production task) or select from one of three prepared alternatives (selection task) a representation to indicate the set size of a group of objects and then to use the representation later to recall the number of items in the set. The responses were categorized as global (cf. Hughes' idiosyncratic and pictographic), analogue (cf. Hughes' iconic), or numeric (cf. Hughes' symbolic). As with the previous research, there was an overall trend in which children moved towards the more symbolic forms. Nearly all 5-year-olds used numerals, 4year-olds used numerals just over half of the time and were inconsistent in choosing between the other two options, and the 3-year-olds showed no preference for any of the representational forms. Children were able to correctly state the number of items in the box when the notations they had produced were numeric but had more difficulty interpreting when they had produced analogue representations (production task). However, in the selection task their performance improved if they had selected an analogue from a prepared set. In general, then, children's production of symbols became increasingly conventional, and their ability to read the representation later was most reliable if the representation used was a conventional symbolic notation.

In all of these studies, there was a developmental trend in children's ability to produce conventional numerals as representations of quantity. This developmental pattern is most likely attributable to both the cognitive maturity with increased age and the effects of schooling and more formal contexts for learning about these notational systems. It is unlikely that children would spontaneously begin to use the Arabic numeric system without formal instruction (teary, 1995). Another pattern that was observed, however, was that children who did not produce conventional numerals were less likely to be able to interpret them later. Even analogues that accurately conveyed quantity were not necessarily correctly "read" after they had been written. This suggests a weakness in children's basic understanding of how representation works and casts doubt on the conclusion that the children's notations were necessarily functioning as symbols. Furthermore, all the tasks have been based on small quantities, so children may have succeeded to some extent because the correspondences between the quantity and the notation were familiar, not because they knew the meaning of the notation. It is possible, then, that children's ability to use and interpret written representations for quantity in general has been overestimated by these earlier studies. Therefore, it is necessary to establish a more rigorous assessment of children's understanding of how notational representations indicate quantity by asking them to represent quantities that are less familiar or less practised. In these cases, children could be successful in representing and retrieving values of quantity only if they understood the meaning of the quantity and the meaning of the notation. Two such types of quantity are zero and fractions.

An examination of how children develop the concept of zero and the notational forms for indicating zero is interesting because these notions also have a social-historical development. The concept of zero as a distinct number with a unique representational form evolved much later than did the notational forms for indicating all other quantities. In other words, it was not spontaneously obvious in earlier cultures that zero is a quantity that could be represented.

There is some controversy about the exact origin of zero, partly because there are two uses for the notation. The first is as a placeholder in place value number systems (like ours) to indicate that a column has no value for that number (e.g., in 503, the 0 means that there are no tens); the second is as a number in its own right (e.g., a quantity indicating a null set, as in they made 0 errors). The use of zero as a placeholder was probably first developed by the Babylonians, possibly as early as 1500 BCE (Neugebauer, 1957). The use of zero as a number is more difficult to trace. Although the Alexandrian Greeks (3rd century BCE) used zero to denote the absence of quantity, it did not function as a number (Kline, 1972). The quantitative idea of zero as a number that can be entered into computations was unlikely to have existed before the 8th century CE when Hindu mathematicians created computational systems that incorporated this concept (Smith, 1963). Joseph (1991) traces the first explicit occurrence of zero in India to an inscription in 876 CE, and points out that this is more than two centuries after the first reference to the other nine numerals. Once the concept was developed and incorporated into mathematical thinking, it was spread to the Europeans through the Arabs, who had learned about it from the Hindus.

Because zero is as much a cultural creation as it is a quantitative concept, it may emerge for children on a different timetable than does the development of the concept of other numbers. The notion of absence is abstract and particularly difficult when applied to quantity - the absence of a presence. The counting procedure that children learn from an early age is based on the assumption that there is something to be counted. Zero does not fit easily into this routine. Similarly, representations for zero need to produce something (a form or notation) to indicate absence. As we saw, children's early attempts at representing quantity tend to be analogical, producing a set of forms that correspond in number to the set of objects they represent. If this were the way in which children perceive representations of quantity, then producing a representation for zero would be very difficult.

The concept of fractions and the ability to produce a notational representation for fractions is obviously a later development than the corresponding achievements with whole numbers and even zero. Fractions are conceptually complex because they involve ratio quantities, and their notations are specialized and require specific instruction (Hunting & Sharpley, 1991; Siegal & Smith, 1997; Sophian, 1996; Sophian & Kailihiwa, 1998). Hence, fractions are introduced later in the school curriculum than are whole numbers and we do not expect children to spontaneously develop control over these concepts (Resnick, 1995; Resnick & Singer, 1993). Nonetheless, fractions are prevalent in children's preschool lives. Children agree to eat half their vegetables, grudgingly give up half of their cookie for a younger sibling, and even announce that they are three and a half years old. Clearly they understand something about partial quantities. Therefore, their attempts to create representations for these quantities should provide some insight into how they believe representations indicate quantity.

Although very early studies showed that children have an incomplete or imperfect understanding of fractional quantities at the time they begin learning about these concepts (Gunderson & Gunderson; 1935; Polkinghorne, 1957), the concepts may nonetheless begin to develop in infancy. For example, Baillargeon and her colleagues showed that sixand-a-half month-old infants could judge the degree to which an object extended beyond a supporting object Baillargeon, Kotovsky, & Needham, 1995). By 12 months old, infants were capable of anticipating the weight of an object and adjusting for the right amount of force after having lifted the object only twice (Mounoud & Bower, 1974). By 15 months, infants who were given a series of rods of different lengths were able to anticipate the weight of a rod on the basis of their experience with the other rods in the series. In all cases, infants could respond appropriately to a task in which judgments of proportion were required.

Mix, Levine and Huttenlocher (1999) report that the development of children's understanding of fractions appears to parallel the development of their understanding of whole numbers, though with a great deal of lag time in between. They suggest that it is the learning of whole numbers, and the awareness of what appears to be the same notation system that interferes with the learning of fractions. Others also support this notion of interference (Kamii, 1981; Sophian, Garyantes, & Chang, 1997). Siegal and Smith (1997) propose that teaching methods and strategies that disentangle written representation from the learning of fractions enhance children's ability to acquire these skills.

Some fractional quantities appear to be more accessible to young children than others. Hunting and Sharpley (1991) showed that children had a qualitative conception of "half" but had little understanding of "quarter" or "third." Hunting and Davis (1991) point out that "half" may be more familiar because of children's experience with sharing between two individuals. Parrat-Dayan and VonPche (1992) note, however, that very young children consider "half" to be some portion of a whole but not necessarily half the quantity.

Gelman (1991) described a study that combined an assessment of children's understanding of fractional quantities with their understanding of the notational forms for these quantities. She showed kindergarten to Grade 2 students written fractions such as 1/2 and 1/4 and asked them to read them and choose which was more. Children had difficulty with the written form, for example, reading 1/2 as "one and two' or "one plus two," or even "twelve." They also treated the numbers as whole quantities, therefore misjudging 1/4 to be larger than 1/2. Gelman argues that the problem is difficult because children's knowledge of counting is a source of confusion. Gallistel and Gelman (1992) elaborate on this point and suggest that fractions are the first numbers that children encounter which cannot be generated as a result of counting. Nonetheless, the children were familiar with the correspondence between the written and verbal representations and could match 1/2 with "one half." Even in the absence of complete understanding of the quantitative meaning of fractions, children could interpret some of the representational forms.

The purpose of the present study was to examine the development of children's representations of quantity and their conceptions of the meaning of those representations. The study extended the previous research by Bialystok and Codd (1996) by using more detailed assessments for children's understanding of quantity and notation, and by including zero and fractions in the set. The task explored children's understanding of the quantitative concepts for whole numbers, zero and fractions and their ideas about how to notational forms represent these quantities.

Method

PARTCIPANTS

The study included 75 children, comprised of 15 children in each of 5 age groups: 3-year-olds (mean age 3.5 years), 4-yearolds (mean age 4.5 years), 5-year-olds (mean age 5.4 years), 6year-olds (mean age 6.4 years), and 7-year-olds (mean age 7.5 years). All children lived in middle-class neighbourhoods and were attending daycare centres or primary schools.

MATERIALS AND PROCEDURES

All of the children were tested individually in a quiet place in the school. The children were visited again two weeks later for the delayed-recall component of the task.

Five dolls representing "Sesame Street" characters were lined up on a table with two boxes in front of each character. The experimenter asked the child to help give out cookies for each of the characters to have for lunch and for an afternoon snack. The first box was for the lunch cookies and the second was for the snack. The experimenter specified the amount each character was to receive for each occasion. The experimenter and the child progressed down the row of boxes one at a time in this way. For items that involved whole numbers, the experimenter would say: "Give Big Bird 2 cookies for lunch." In the case of fractions, the experimenter would say, for example: "Give Big Bird a half of a cookie for lunch." And for questions that could be represented with a zero, the child was asked: "Give Big Bird no cookies for lunch." The child actually distributed real cookies into each box. The quantities tested were 2, 5, 1k, 14, and 0. With 5 characters and 2 boxes per character, there were 10 items in all. Each of the S quantities was presented twice.

After distributing all of the cookies, children were given a 12 cm x 7 cm Post-it note and a crayon. The experimenter then asked: "Can you put something on this paper to help you remember how many cookies are in the lunchbox?" The lid was then closed and the post-it note was placed on top. The boxes were removed from sight because previous research has shown that location acts as a cue to memory (Bialystok & Codd, 1996).

When this part of the task was completed, the child was engaged in an unrelated task for about 20 minutes. Then the boxes were returned to the table. Children were asked to look at the Post-it note that they had placed on the lid and see if they could use it to say how many cookies were in the box. Two weeks later, the experimenter returned and met with each child and again showed him or her the same boxes and Post-it notes and again asked the child if he or she could say how many cookies were in each box.

Scoring was carried out separately for each of the distribution, symbol production, and recall components (immediate and delayed) of the task. For distribution, the number of cookies children placed in each box was recorded, and 1 point was assigned if it was the correct amount. The cookies were large and easy to break into either roughly half or quarter portions. The divisions did not need to be exact, and there were no instances when it was not possible to decide on the fraction that the child was attempting to produce. Children's comments corresponded to their actions and all were noted. For symbol production, children's notations were classified as one of three types of representation. The first, symbolic, referred to representations that used conventional notations, either numerals (e.g., "5"), or words (e.g., "five"). The second, analogue, were representations in which a discrete mark or object was recorded to represent each item in the set (e.g., 5 circles to indicate 5 cookies). The third, global notations, were any other pictographic or idiosyncratic representations (e.g., drawing a picture of a cookie).

All the responses were scored separately by two raters, and any discrepancies were mediated by a third rarer. Children's comments were used to help verify decisions in cases of ambiguity; for example, a child leaving the Post-it note blank and saying, "there are none cookies, (sic)" was scored as attempting to represent zero. There were few disputes in the ratings.

The recall portion of the task was quantified in terms of the number of items out of 10 that children correctly stated from the post-it notes in each of the immediate and delayed recall conditions.

Results

The task involved three steps: distributing the cookies, recording the quantity, and reading the notation in both an immediate and delayed condition. The results from each of these will be presented separately. The minimal level of confidence for a significant effect was chosen prior to analysis to be p < .01 for the ANOVAs and p < .05 for the post-hoc Scheffe tests. Nonetheless, actual significance levels are reported with the analyses.

DISTRIBUTION

The question for the distribution phase of the task is whether or not children could correctly place the required quantity of cookies in each box. This was to establish their knowledge of the meaning for each quantity independently of their ability to create notations to represent it. The proportion of correct distributions that children at each age were able to complete is shown in Figure 1. Preliminary analyses showed no differences between the two whole number values (2, 5) but frequent differences between the two fractional values (1/2, 1/4). Therefore, the two whole numbers have been combined in all the subsequent analyses but the fractions are kept separate.

A two-way analysis of variance for age (3, 4, 5, 6, and 7 years) and quantity (zero, whole numbers, half, and quarter) showed main effects of age, F(4,70) = 22.65, p < .0001, and quantity, F(3,210) = 93.33,p < .0001. The effect of quantity was that whole numbers and zero were distributed equally well and the quarter was solved most poorly. The quantity half was better than quarter, and worse than whole numbers, but not significantly different from zero. There was also an interaction between the factors, F(12,210) = 3.25, p < .0003. Post-hoc Scheffe comparisons of the means (p < .01) showed that the age effect was different for each quantity. For whole numbers, zero, and half, the 4-, 5-, 6-, and 7-year-olds performed better than the 3-year-olds, but for quarter, only the 7-year-olds were more accurate than the other children.

REPRESENTATION

Once the cookies were distributed, children had to create a notation to indicate the quantity. These notations were classified as symbolic, analogue, or global. The overall choice of each of the three notation types is presented in Figure 2. The data cannot be analyzed across the chosen notational categories because they are distributions that add up to 100% and are therefore not independent observations. Instead, a two-way ANOVA for age and quantity (whole, zero, half, quarter) was conducted separately for each notation type (symbolic, analogue, and global). All three ANOVAS revealed a significant effect of age and no effect for quantity. For symbolic representations, there was a main effect of age, F(4,70) = 29.85,p < .0001, because the 5-, 6-, and 7-year-olds used these notations more frequently than the 3- and 4-yearolds (Scheffe analyses, p < .01). For the analogue representations, the main effect of age, F(4,70) = 4.48, p < .0028, revealed that the 3- and 4-year-olds used these forms the most frequently, the 6- and 7-year-olds essentially did not use them at all, and the 5-year-olds were between these two groups. Finally, the age effect for global representations, F(4,70) = 4.53, p < .003, indicated that the 3-year-olds used these forms more frequently than did any of the other children (Scheffe analyses, p < .05). The distributions showing children's success in representing each quantity irrespective of the notation type are plotted in Figure 3.

Children's representations of zero and fractions were examined in more detail and compared to their representational choices for whole numbers. Consider first the representations for zero. The most common nonsymbolic response for representing zero was to leave the post-it note blank. These responses were classified as analogue, since the blank post-it note corresponds iconically to the emptiness of the box containing no cookies. Furthermore, children were questioned about their representations, and in the case of those who left blanks when the box had zero cookies frequently said, "it means none cookies, (sic)" or "because there is no cookies (sic)." Hence, it was a deliberate strategy to convey the absence of quantity.

Children's representations of zero were compared to their strategies for representing whole numbers by means of a chi-square analysis. The purpose was to assess whether children were applying the same principles of representation to these different quantities. This would help answer the question about what children believed their representations of whole numbers meant. Since representing zero is less familiar than representing whole numbers, a more intentional approach to the representational problem is needed. Children's responses to zero were categorized as symbolic ("0," "zero," or "none"), analogue (blank), or global (miscellaneous), and compared to the three notation possibilities for whole numbers, namely, symbolic, analogue, or global. The frequency distribution is shown in Table 1. The chisquare analysis revealed a significant relation between children's choices for representing each of these types of quantities, xZ (4, N=74) = 69.76, p < .001. In this analysis less than 20% of the expected were less than 5.

The relation between children's representations for fractions and their representations for whole numbers was examined in the same way, but an additional category was added for the fractions. Some children attempted to convey a fraction by using a whole number, such as 2 for 1/2. These were part of the symbolic classification in the general analysis but were separately classified as "numeral" for the chi-square analysis. Therefore, a chi-square analysis examined the relation between representing fractions as symbolic ("1/2" or "half"), numeral ("2"), analogue, or global, and children's representations of whole numbers as symbolic, analogue, or global. The frequencies are shown in Table 2. The chi-square analysis again showed a significant relation between children's choices for these quantities, (chi)^sup 2^ (6, N = 74) = 87.47, p < .001. This analysis was valid as less than 20% of the expected values had counts less than 5.

RECALL

The third set of analyses examined children's ability in the use of written notations to retrieve the quantity in each box, both immediately (see Figure 4) and two weeks later (see Figure 5). Children's ability to correctly state the number was examined by a three-way ANOVA for time (immediate, delayed), quantity (whole number, zero, half, quarter), and age. There were main effects of time, F(1, 66) = 5.76, p < .01, quantity, F(3, 198) - 97.99, p < .0001, and age, F(4,66) s 24.00, p < .0001. The effect of time was that items were more accurately recalled in the immediate testing condition. Because time did not interact with any other factors, the data have been plotted separately for the two time conditions to make the patterns clearer. The effect of quantity was that whole numbers and zeros were recalled more accurately than the two fractional values.

There was an interaction of age by quantity, F(12, 198) = 4.31, p < .0001. The interaction was caused by the change in success occurring at different ages for the different quantities, even though age continued to be significant for all quantities. Simple effects analyses showed that for whole numbers, zero, and half, only the 3-year-olds were less successful than the other children; for quarter, the difference in success was only significant in a comparison between the 7-year-olds and the 3-year-olds.

The data were examined as well in terms of the type of notation used. Again, these data cannot be analyzed because they cross over notational categories, such that individuals have different numbers of entries in each of the categories. Nonetheless, the pattern is presented in Figure 6. The data are collapsed across time and indicate the percentage of correctly recalled items as a function of the notation used. It is clear from these data that the probability of correctly recalling an item was greatest if the representation was symbolic rather than any other form.

Discussion

Children were asked to distribute a given quantity, create a representation to indicate that amount, and then use the representation to recall the quantity. The two main questions were, how children between the ages of 3 and 7 years old learned to carry out these three tasks, and whether the quantity involved changed either their success or their strategy. Specifically, children's responses to the less familiar quantities of zero and fractions could shed light on their performance with the more familiar whole numbers. If children understood the relation between the notation and quantity, that is, why the notation indicated the quantity it did, then they should be able to adapt and apply these notations to the new quantities. If they did not understand the basis of notational representations for quantity, then they would have had more difficulty in creating an appropriate representation to indicate the less familiar values.

Consider first the differences between the three parts of the task. Children were very successful at distributing the cookies into the boxes. Even the 3-year-olds were correct at least half of the time for all but the most difficult quantity, quarter. In fact, quarter remained difficult to distribute until 7 years of age. The 3-year-olds found the quantities zero and half to be more difficult than whole numbers, but by 4 years of age, children were doing very well on this part of the task for all quantities except quarter. These results signify that children had-a reasonably good understanding of what these quantities mean (except for quarter) and could carry out a procedure to produce that quantity correctly. By the time children were 4 years old, their understanding of zero as a quantity was about as good as their understanding of whole numbers. Children understood the meanings of the quantities that were tested in the study.

Children's ability to produce an accurate representation of those quantities developed more slowly. Even though all the children were able to distribute half a cookie by the time they were 3 years old with reasonable success, the only children who could represent this amount were the 7-yearolds. Conversely, children could produce meaningful representations for whole numbers and zero almost as soon as they could accurately distribute those quantities. Although children appeared to understand all the quantities, they were not able to represent them.

Finally, children's ability to read the notations depended on both the quantity that was indicated and the type of notation that was chosen. Children were very successful in reading their representations for whole numbers and zero but found the two fractions to be very difficult until they were 7 years old. Similarly, quantities that were written with a symbolic notation were more likely to be read correctly later, irrespective of the quantity that was indicated.

In summary, children's ability to understand, represent, and recall quantities, indicated that they understood the significance of the quantities before they could use notational forms to represent them. Conversely, children were able to produce notational forms that they were unable to read later. Children clearly understand something about notation: Minimally, they understand that written forms can encode quantities, but without an understanding of hooted the notation works or the rules by which it encodes those quantities, they produce forms that ultimately have no meaning. Therefore, there is a disparity between children's knowledge of quantity and their mastery of notational forms to represent quantity. One should not be taken as evidence of competence for the other.

The second issue is how the quantity influenced children's ability to solve the problems. Throughout all phases of the task, there were large differences between children's success in handling whole numbers and fractions but virtually no differences between their success with whole numbers and zero. Zero and fractions were interesting to examine for different reasons: zero because it is an abstract notion meaning absence, and fractions because they are technical computations derived from wholes. Zero turned out not to be a problem for children, but fractions were different. Very young children had some understanding of the concept of half as a quantity, but only the oldest children could create a display containing the quantity quarter, and none of the children could represent these quantities until they were 7 years old. These oldest children were in second grade and were the only ones receiving formal instruction in fractions. The pattern suggests that the concept of zero develops in concert with children's growing knowledge of number and quantity, but the concept of fraction, particularly quarter, and the representation of fractional quantities, requires special instruction. It appears that children consider zero to be a position on a dimension of quantity, presumably less than 1. It is less clear that they understand that fractions can also be positioned on this scale between the values of 0 and 1. Gelman (1991) also reported evidence that children failed to understand this positional aspect of the meaning of fractions. This misunderstanding raises interesting questions about how young children interpret the contextual uses of fractions and parts, such as half the cookies, some of the cookie, and 3 1/2 years old.

Children's decisions about which notation type to choose were driven by their age and not by the quantity they were trying to represent. There was virtually no attempt to create or adapt representations to reflect the difficult quantities; they simply applied the strategy they had always used even if it was not appropriate. Hence, there was no effect of quantity in the analyses of representational form chosen, and the chi square analyses showed that children made the same choices for zero and fractions as they did for whole numbers. Children's strategies for choosing a notation type changed over the years studied, and age remained the primary factor in determining the notation type. Discounting global representations because they provided only questionable indications of quantity, the 3- and 4-year-olds preferred analogue notations, the 6- and 7-year-olds preferred symbolic, and almost all of the 5-year-olds used both. There were individual 5-year-olds, however, who showed a preference for only one of the two.

The choices children made for representing the quantities were important because they helped to determine whether or not children would be able to read the notation later. Both the quantity and the type of notation chosen predicted whether children would be successful in the recall portion of the task. Children's best success in reading the notations occurred with symbolic representations. Even analogue representations that correctly depicted the quantity were less likely to be interpreted later. This replicates the finding reported in an earlier study (Bialystok & Codd, 1996) where we argued that the reason for this was that the analogue representations did not function as symbols for the children.

Instead, they were treated as pictures and therefore did not have the same referential meaning that symbols do.

The results of this study are largely descriptive. The data do not always allow for the kind of detailed analyses that are necessary to offer reliable conclusions. Nonetheless, several important patterns are clear in the data, and taken together, these patterns contribute to our conception of how children develop an understanding of various quantities, and the relationships between quantity and the representational forms used to indicate them.

First, children appeared to understand the quantitative meaning of zero from about as early as they understood whole numbers. Even though the status of the quantity zero is different from that of whole numbers in that it lacks a concrete reality, children accepted it as a number and applied their knowledge of representation effectively to this quantity. This is not the case for fractions. An understanding of the significance of these quantities developed more gradually, and children's competence with fractions was not really evident until they were in second grade and learning about these values formally.

Second, children's grasp of the two fractions examined in this study is different, replicating the claims of Hunting and Sharpley (1991). Even the youngest children had an informal understanding of the meaning for half and could respond to the distribution question correctly. Nonetheless, producing representations for half or reading those representations later remained difficult until children were 7 years old. The quantity quarter was more problematic in that children could not even distribute that quantity until they were 7 years old. The difference between these two fractions may be in their familiarity and the experience children have had with each of them. Children may frequently have been told they could eat half a cookie or watch half a movie, but they may less likely have been instructed to sample a quarter of the whole. In mathematical terms, there is no obvious difference between the fractions in terms of their complexity, but the exposure to one of them made it much more accessible to children. Hence, children's mastery of a formal system like this seems to be strongly influenced by their experience.

Third, children's ideas about representations for quantity include a few procedures for indicating quantity, but probably include very little about why the representation indicates the quantity it does. Children were not able to adapt their representations to indicate the difficult quantitative concepts. Instead, they persisted in applying the same strategies that they used for the simpler quantities. Even without knowing the conventional notation forms for fractions, children who understood the concept of representation could have created a notation that depicted the correct (or approximately correct) portion. Children who were successful created such analogue representations for fractions as a slice of a pie or a half moon or, in one case, a picture of a 25-cent coin. Most children, however, did not adapt the notation to convey the relevant information. For example, children who had used analogue representations for whole numbers by indicating a tick mark to correspond to each item in the set used the same strategy for fractions, producing some (random) number of tick marks; children who had used symbolic representations for whole numbers by writing the corresponding numeral continued to use a single numeral to indicate a fraction. These errors suggest that children's understanding of why the representations worked in the case of whole numbers was incomplete.

Finally, replicating our earlier research with a similar problem (Bialystok & Codd, 1996), the effectiveness of a representation of quantity depended on the type of notation that was used. Although we were unable to analyze these data formally, there were large differences between the success with which children could read the notation as a function of the type of notation produced. Even when an analogue notation correctly conveyed the quantity, children were less able to decode its meaning than they were for a symbolic representation. In some fundamental sense, the analogue representation did not signify meaning.

The children in this study covered a large age span, from 3 to 7 years. Children during these developmental years acquire a great deal of knowledge about the concepts of quantity, representation, and the relations between them. The major transition period for these developments appears to be at 5 years of age. This is the age at which children's strategies change from analogue to conventional notations, and their success in all parts of the task becomes more reliable. These children are in kindergarten and undoubtedly are receiving more formal instruction in the properties of the number system. Clearly, this educational experience is a significant factor in changing the way children approach these tasks at this age. Still, even by 7 years old, the children are struggling to apply this knowledge to the more difficult fractional quantities. Further investigations examining these developments in more detail should help to complete our understanding of how children acquire these difficult concepts and their representations.

This research was funded by Grant A2559 from the Natural Sciences and Engineering Council of Canada to the first author. We are grateful for the assistance of Amanda Tessaro who collected the data.

Sommaire

Les jeunes enfants comptent avec enthousiasme et, vers Page de trois ou quatre ans, appliquent cette routine a de nombreux objets de leur milieu, comme leur age et le nombre de bonbons duns un paquet (Baroody, 1992; Fuson, 1988, 1991, 1992; Gallistel et Gelman, 1990, 1992; Gelman, 1993; Gelman et Gallistel, 1978). Cependant, ils ne matrisent ce processus que vers l'age de quatre ou cinq ans.

Its consacrent aussi leurs annees prescolaires a acquerir une connaissance des formes ecrites correspondant aux nombres de la sequence de comptage (Tolchinsky Landsmann et Karmiloff Smith, 1992). A leur arrivee a 1'ecole, ils peuvent identifier la plupart des chiffres en nommant la quantite correspondante. Mais si les enfants comprennent mal les significations cardinales des nombres qu'ils ont appris a compter, alors que signifient, a leurs yeux, les inscriptions de quantites? Tout comme les enfants qui savent compter (c: 3-d. connaissent les noms des chiffres prononces) ne comprennent pas forcement la signification de ces formes, de meme, ceux qui semblent reconnaitre ces representations ecrites ne saisissent pas necessairement tout ce qu'elles designent. Aux yeux des enfants, que signifient les representations ecrites de quantite?

Les chercheurs ont decouvert un ecart entre la capacite des enfants de produire les elements du systeme numerique et leur comprehension de la signification de ces elements (Bialystok et Codd, 1996; Fuson, Fraivillig et Burghardt, 1992; Hughes, 1986; Kamii, 1981; Neuman, 1987; Sinclair, 1988, 1991; Sinclair, Siegrist et Sinclair, 1982). Ces etudes ont montre un decalage de developpement qui est passe successivement des elements idiosyncrasiques aux analogiques, puffs aux elements conventionnels du systeme numerique.

Le present article developpe ces conclusions en communiquant les resultats dune etude pour laquelle on a demande a des enfants de trois a sept ans d.ec.re une representation indiquant une quantite presentee a la maniere d'un jeu. II y await trois genres de quantites : des nombres entiers, le zero et des fractions. Les notations des enfants leur ont ete montrees peu apres qu'ils les aient realisees, puffs une seconde fois deux semaines plus tard, pour voir si les enfants pouvaient les interpreter. Les resultats ont montre le mode familier de developpement vers un usage accru de notations conventionnelles pour toutes les quantites. La capacite de lire les notations etait la plus prononcee pour les nombres conventionnels ou les resultats etaient les meilleurs, plus faible pour les representations analogues et tres faible pour I'enregistrement global des idiosyncrasies. Le choix du format de notation par les enfants a ete influence presque exclusivement par leur age et non par la quantite representee. Les enfants ont pu resoudre les problemes du zero presque aussi bien que ceux des nombres entiers, mais leur comprehension et leur usage des representations pour les fractions etaient tres limites.

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[Author Affiliation]

ELLEN BIALYSTOK and JUDITH CODD, York University

[Author Affiliation]

Please address all correspondence to the first author at the Department of Psychology, York University, 4700 Keele Street, Toronto, Ontario M3J 1P3 (E-mail: ellenb@yorku.ca).

Marquette Prepares for Lopez Twins

Stanford has twin 7-footers Brook and Robin Lopez.

Fortunately, Marquette center Ousmane Barro has a brother, Daouda. Unfortunately, he's 7 years old.

"Too young," Barro said with a chuckle.

Not to worry. Barro will have plenty of help when the sixth-seeded Golden Eagles face No. 3-seeded Stanford in the South Region's second round on Saturday. At 6-foot-10, Barro is Marquette's only player taller than 6-9.

Starting forward Lazar Hayward, at 6-foot-7, will pitch in. Dwight Burke, a 6-8, 250-pound forward, and 6-foot-9 Dan Fitzgerald will help off the bench. The Golden Eagles' guards will try to pester the Lopez twins with double teams, hoping to make them give up the ball.

When it comes to stopping the Stanford trees, it takes a village.

"We're going to need everybody," Barro said Friday after practice.

The Golden Eagles are used to facing talented big men in the Big East, and they've had mixed success. Georgetown's 7-foot-2 Roy Hibbert hit 7-of-11 shots from the floor and scored 20 points in the Hoyas' 70-68 overtime victory on March 1 in Milwaukee. Barro fouled out in 16 minutes.

Marquette coach Tom Crean said that when it comes to stopping big centers, "we've had our successes, we've had our minuses, but we've had a lot of experience."

Barro said he's usually been able to hold his own against opposing centers in the Big East.

"But the Lopez brothers, that's different because we never see two 7-footers in the same game playing at the same time," Barro said.

And, he might have added, playing well at the same time.

Brook Lopez averages 18.6 points and 8.3 rebounds. Robin Lopez averages 10.1 points and 5.6 rebounds, and he has 80 blocked shots.

In an opening-round rout of Cornell on Thursday, the twins combined to make 8-of-11 shots from the floor, scoring 18 points in 38 minutes. Robin Lopez also had five blocks.

At least Barro won't have any trouble telling them apart. Robin Lopez is the one with the mop top.

"I don't think we're going to get confused because one of them's got big hair and one of them doesn't," Barro said. "You can see them right away."

Brook Lopez has heard that one before.

"You hear it all the time in chatter between two players," he said. "It's lucky in basketball you've got numbers on the back of the jerseys, too. That helps a lot."

The brothers started wearing different hairstyles in sixth grade, and Brook Lopez said he doesn't think it puts them at a competitive disadvantage.

"We've talked about looking exactly the same on the court," Brook Lopez said. "I don't think either of us would really go for it, though."

Robin Lopez certainly wouldn't.

"We're effective enough right now without risking my hair," Robin Lopez said.

Stanford has other weapons. But only one other player _ guard Anthony Goods _ averages more than 10 points per game.

The Lopezes said they've seen almost every defense imaginable, from double teams to zones.

"Some were bizarre," Robin Lopez said.

"I remember a couple of weekends ago, USC sat someone in my lap and then played someone behind me," Brook Lopez said.

Marquette's staff has probably already seen the tape of that game. The Trojans limited Brook Lopez to 4-for-13 from the floor and 11 points, and USC prevailed 77-64.

UCLA coach Ben Howland, whose Bruins are here as a West Region entry, was asked how he defended the Lopezes this season. UCLA went 3-0 against Stanford, with Brook Lopez averaging 15.3 points and Robin Lopez averaging 10.3.

"I don't think you match up," Howland said. "I think you've got to do it as a team."

That's what the Golden Eagles intend to do. They also plan to take advantage of their own advantage _ quickness.

The Cardinal may have trouble handling Marquette guards Dominic James, Jerel McNeal and Wesley Matthews, who average a combined 38.7 points and 9.5 assists.

"(The Cardinal) run everything from the inside out," Fitzgerald said. "But the way we look at it, they've got to guard us too. Our whole mentality is attacking them, and having them guard what we do. I think that will be just as hard for them."

Palestinian PM Outlaws Hamas Militias

RAMALLAH, West Bank - Palestinian President Mahmoud Abbas swore in an emergency Cabinet on Sunday and outlawed the militia forces of the Islamic Hamas movement, deepening the violent rupture in Palestinian society.

Hamas seized control of Gaza last week after routing Abbas' Fatah movement. The violence has left the impoverished coastal strip increasingly isolated, a situation worsened Sunday when an Israeli fuel company cut off deliveries to gas stations there.

The hurried swearing-in ceremony of the new Cabinet left the Palestinians effectively with two governments - the Hamas leadership in Gaza and the new Cabinet in the West Bank led by respected economist Salam Fayyad.

Abbas issued decrees Sunday annulling a law requiring the new government to be approved by parliament, which is dominated by Hamas, and outlawing the Islamic group's militias.

"There is one authority, one law and one legitimate gun in all areas of our homeland, in the West Bank and Gaza," he said later.

In Gaza, deposed Prime Minister Ismail Haniyeh - who has ignored Abbas' order firing him - called the new government illegal and insisted he remains in power. "The council of ministers considers the steps adopted by President Mahmoud Abbas to ... have no basis in law," he said. "The national unity government asserts here that we are fulfilling our duty according to our law."

In an apparent response to Abbas' decree, Haniyeh fired the head of internal security and the director general of the Palestinian police, Hamas-allied Al Aqsa TV said. The decisions were symbolic because both men moved to the West Bank.

Fayyad, an independent, will retain his post as finance minister and also serve as foreign minister in the emergency government, which Abbas appointed to replace the Hamas-led Cabinet he fired after Hamas seized control of Gaza.

The small emergency Cabinet is dominated by independents, including human rights activists and business people. Only one, Interior Minister Abdel Razak Yehiyeh, is a member of Abbas' Fatah movement.

In taking office, Fayyad said the new government would work to end the chaos and provide security for the Palestinians. "We are going to work with clean hands, systematically," he said.

Addressing the Palestinians in Gaza, he said: "You are in our hearts, and the top of our agenda."

It is "time to work together for Palestine," he said.

Israeli Prime Minister Ehud Olmert said the new Palestinian government would create a "new opportunity" for the peace process. Olmert has long welcomed Abbas as a negotiating partner, but said Abbas' now defunct alliance with Hamas had made peacemaking virtually impossible. Israel considers Hamas, which has killed hundreds of Israelis in suicide bombings, a terrorist group.

"We have a new opportunity ... that we haven't had in a long time," Olmert told reporters shortly before leaving for the United States. "A government that is not Hamas is a partner."

In the showdown, much of the international community, including the U.S., the European Union and moderate Arab states, is backing Abbas. Declarations of support were likely to be followed soon by a resumption of foreign aid to the Palestinian Authority.

The U.S. consul general in Jerusalem, Jacob Walles, met with Abbas on Saturday and said the embargo is expected to be lifted once the new government was sworn in.

But the money is unlikely to reach Gaza, where panicked residents stocked up, fearing growing shortages of food, fuel and other staples as the crossings of the fenced-in strip with Israel and Egypt remained closed.

The Israeli fuel company Dor Alon said Sunday it was cutting of fuel supplies immediately to Gaza's gas stations. The company is the sole provider of gasoline to Gaza.

Dor Alon will continue to ship fuel to Gaza's electricity power plant, the company said, but about 30 percent of Gazans have been cut off from the electric grid because of infrastructure damage caused by the fighting and they rely upon generators for power.

Palestinian Health Ministry officials said they hoped that hospitals currently running on generators would be reconnected to the grid before their fuel reserves run out, but even if they do, a gasoline shortage would immobilize ambulances and prevent deliveries of blood, medicine and food to medical facilities.

Palestinian official Saeb Erekat said he had appealed to Israel and the international community not to cut off supplies to Gaza. "Residents must not be punished for the bloody coup staged by Hamas," he said.

Hundreds of Gazans spent the night sleeping at the Erez border crossing with Israel, hoping to escape Hamas rule.

Jamal Abu Zayda, a pro-Fatah security official and one of the few who was allowed to cross Sunday morning, said Israeli solders fired rubber bullets, tear gas and concussion grenades into the crammed concrete corridor to try subdue the unruly crowd.

"It's a problem letting people through under these circumstances, there's nobody on the other side, and it's a potential security risk," said Shlomo Dror, an Israeli military spokesman.

---

AP correspondents Sarah El Deeb and Diaa Hadid in Gaza City, Gaza Strip, contributed to this report.

Focus on percussion: advice that will improve your playing

With each year that passes I am constantly flabbergasted at how much the percussion industry continues to grow. More gear! More drum companies! More players! More insight to the craft! It's information overload for some and still not enough for the drum geeks (myself included) the world over.

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This year's percussion feature has what you'll find to be an interesting mix of drumming personalities. Each player comes from different backgrounds, but all seem to have been drawn into the profession from an early age reinforcing my belief that percussion can be a lifelong journey with valuable lessons to be learned. So without further ado, let me introduce this year's pros that graciously answered even the most prodding of questions.

Ajax's own beloved Sum 41 has introduced the world to one of the most sarcastic, witty and undeniably entertaining drummers to emerge in years: Steve "Steve-o 32" Jocz. As you are about to read Steve's answers please refrain from chewing and/or drinking as you could possibly choke with laughter all the while gaining insight to his take on drums and drumming.

What I believe to be a first for the annual percussion feature is also one aspect of drumming that I, until writing this piece, had not been exposed to - one of history's ancient art forms and most powerful to say the least: Japanese Taiko. Kiyoshi Nagata has studied Taiko with the masters of Japan and reminds us of the disciplinary aspects of drumming, life in general for that matter, and how drumming is truly a language that can transcend international barriers. Oh yeah! You think rock 'n' roll is heavy hitting stuff... check out the physical demands of Taiko. Those aren't 2B drumsticks Kiyoshi has raised above his head for his ensemble's thunderous two-hour long performances.

From "la belle province" and without question one of Canada's best, Paul Brochu. After completing a master's degree in percussion from the Conservatory Paul began his 12-year, multi award-winning project with the group UZEB. Paul was able to marry the electronic aspect of drumming with the organic side of traditional acoustic kits at a time when electronics were, well, really really electronic and not so user-friendly. These days Paul can be seen with the likes of Gino Vanelli accompanied by the finest symphony orchestras of the world. If you're truly fortunate you can study with the man himself at a university in Montreal.

A household name for drummers of all genres, Grammy award-winning Dave Weckl has been at the forefront of contemporary music since his first "big" tour with Simon and Garfunkel in 1983. Dave has inspired an army of thousands, perhaps millions, to excel not only in technique, but the importance of education through his video/DVD collection. The opportunity to sit and chat with Dave before watching him astonish a room full of drum-crazed folk, revealed some harsh realities many drummers will likely encounter. Nonetheless, his relentlessness to evolve should be taken as inspiration to all musicians. Come on... he's Dave Weckl.

At the editor's request I too give my two cents when I feel I have something of value to pass on. Who am I you ask? I've got an interesting history, from drumming for Bob Hope's tour of the Middle East in the Gulf War to David Usher.

Some questions may not have been answered directly by each player due to time constraints so some editing liberties have been taken, but rest assured as Mr. Weckl said during our interview: "The more information you can learn about anything, the better off you are."

BACKGROUND

What type of schooling, private instruction, and other types of learning methods (books, video, etc.) have you taken?

Steve: My next-door neighbour started giving me lessons when I was 12, but I quit them a year later hoping that I would someday become a professional snowboarder. The fact that I'd never even been on a snowboard before didn't seem to matter. I was going to make it. I probably should have stuck with drum lessons.

Kiyoshi: I started to learn Taiko (Japanese drums) in 1982 when I was 12 years old, at a local Japanese community centre in Toronto. I was a member of Toronto's first Japanese drum group called, Suwa Daiko, and its founder would come from Japan every year to teach us. His name was Daihachi Oguchi and he is designated a living cultural property in Japan. In 1992 I moved to Japan and apprenticed with the renowned Kodo drummers on Sado Island for a year. Apart from that, I have taken Western classical percussion lessons with Paul Houle at the Royal Conservatory of Music. I now teach Taiko drumming as a credit course at the University of Toronto's Faculty of Music as well as a public course at the Royal Conservatory of Music.

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Paul: I began playing drums at age seven. At age 13 I studied with Roger Juneau, Principal Percussionist with the Quebec Symphony Orchestra and Conservatory. I attained my Masters in Percussion.

Dave: I began playing drums at age eight. Both of my parents were musical. I studied privately in my hometown of St. Louis, MO, with Bob Matheny and Joe Buerger before enrolling in the music program at the University of Bridgeport in Connecticut.

Chris: Middle school was my first formal education in music. Playing with the various bands (Stage/Jazz, percussion ensembles, etc.) throughout high school was a great way to make the arduous task of learning during my teen years bearable and eventually lead to my enrollment at Humber College of Applied Arts Music program. Since then I have had the privilege of studying with Charles (Chuck) Burrows in our nation's capital. I wholeheartedly believe a good private teacher can accelerate the learning process in leaps and bounds.

Do you or have you in the past played other instruments? Please list them chronologically if possible.

Steve: I can play the piano, the violin, the viola, guitars, sitars, keytars, xylophones, steel drums, drum machines, trombones, tubas, trumpets, saxophones, didgeridoos, organs, CD players, upright bass, congas, bongos, the triangle and wind chimes.

Kiyoshi: Tenor saxophone and Western Classical percussion.

Paul: When I was studying at the conservatory I was playing vibraphone, timpani, piano, but I decided to focus on drums. Now, I still play piano at home just enough to compose.

Dave: I attempted to play guitar first actually, but it got very frustrating very quickly. These days I mess around on the bass and dabble on the keyboards to work out chord progressions.

Chris: Having a musical family afforded me the opportunity to play keyboards, guitar and bass. Exposure to other instruments can only benefit a drummer. We already get enough "how many drummer" jokes as it is. So expand your talents... at the very least you can converse with other members of the band and get your own ideas across.

REGIMES

What type of exercises (cardio, weights, yoga, etc.) do you do A) on the road, B) off the road?

Steve: I run 4-6 km a day, unless I've been out drinking the night before - and then I run 8-10. I don't really like lifting anything, so if I'm going to do weights, I get my drum-teach to do them for me.

Kiyoshi: Taiko is considered one of the most physically demanding forms of music. Playing the Taiko requires agility, flexibility, stamina and endurance. My off-road routine consists of a 7 km daily morning run. Before rehearsals, my group, the Kiyoshi Nagata Ensemble, will spend at least half an hour doing stretches, cardio exercises as well as abdominal and leg strengthening exercises. On the road, my ensemble maintains a strict routine of stretching and warming up at least an hour prior to performance time.

Paul: When I'm on "big" tours and the gig demands a lot of chops like five or six nights a week I have to warm up for sure. As for physical exercise: I should, but I don't.

Dave: Swim. A lot! I used to lift weights and go to the gym, but I stopped doing that. It just started to feel wrong to lift dead weight and put that against my wrists. I've tried to stay in line with the way that I've been playing the last few years which is continuous energy type exercises... natural ways to strengthen the body. I also like to walk at a fast pace.

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Chris: As a kid growing up I was active enough just being a kid to keep me "in shape" for the rigours of drumming. As I have developed a few grey hairs (probably from the music business itself) I learned that keeping fit is a full-time job. Core exercises are a must. Lower back and abdominal strengthening (Yoga, Pilates, crunches) not only keep you stable, but protect your spine. Cardio exercises such as elliptical machines, swimming, biking, etc. are important for stamina and endurance. Most forms of exercise will benefit you and are recommended as long as you're not damaging joints such as knees, wrists, elbows, shoulders and of course your spine.

What do you practice drumming-wise and how often A) on the road, B) off the road?

Steve: I don't really practice on the road or at home. But, when I do practice, I'll blow the dust off of Stick Control and can usually get through the first five pages or so before I get distracted and start doing something else. I'll only get around to doing that if a real drummer has upstaged me the night before.

Kiyoshi: Apart from our performance repertoire, my ensemble spends a great deal of time each and every rehearsal playing basic drills, which would be equivalent to Western drumming rudiments... only a lot more physical! On the road, we normally run through the difficult passages of each song we'll be performing that night.

Paul: I generally use rudiments to prepare for long shows.

Chris: Double stroke rolls and other rudiments do a decent job of keeping my hands in shape. At home I warm up with some basic hand and feet exercises. I stretch after playing a show, as opposed to before. The muscles are already warm and you don't run the risk of stiffening up. My wife is a personal trainer and made me aware of the damage you can cause by stretching cold muscles. She recommends some form of dynamic cardio for five minutes before sitting down at my kit. Whatever you do... ease into it.

Have you ever sustained any injuries (short- or long-term) during your drumming career, if so how did you adapt?

Steve: As for short term, I've been hit in the face with everything from shoes or bottles to cups filled with sand, and even my own drumsticks while playing live. But as for long-term injuries, at the end of one of our recent tours, I got tendonitis in my left arm, but it seems to have gone away after some rest, stretching, some physiotherapy and a little prayer.

Kiyoshi: As Taiko drumming requires a player to make use of his entire body when striking a drum, physical injury is not uncommon. That is why so much time is dedicated to stretching and preparing the body. Because we assume very low stances when playing, injury often occurs in the legs and lower back. It is very difficult to adapt with an injury without compromising the basic Taiko drumming form. Thankfully, I have never sustained a long-term injury.

Paul: I have had a few problems with my shoulder. If It warm up properly it's okay! I think it has to do with the repetition.

Dave: I can't run (long distance) anymore. I had orthoscopic surgery on my knees about eight years ago. It's hard to say exactly where injuries come from. I hurt my knee as a kid playing football and never really thought anything of it until it got to the point I couldn't even stoop down anymore. Also I think the injury progressed because of playing... the shock of hitting the foot pedal. Now I try to tune and muffle the bass drum so there's not a lot of resistance... so the head isn't so rock hard. I play a strap pedal instead of chain so there's a little more give and I use pedal without a base plate. I think it helps dissipate the shock. Then I went through some stuff with my wrists because of neck problems probably from playing ride cymbals out of position for a long time [Dave motions outward and upward]. That alleviated itself after going to a chiropractor that put me on some nutrients. I changed my setup so that my ride cymbal was lower and got an orthopedic pillow and started sleeping right. You learn as you get older you can't abuse the body.

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Chris: As I write this piece I am on a sabbatical (so to speak) from drumming as a recent MRI (x-ray of the spine) revealed some "bulging" in two discs. I am currently undergoing chiropractic and muscle rehabilitation to correct the problem. I am also evaluating my technique with the help of a specialist to prevent the injury from recurring. Young drummers take note. Practice good technique from the start and hopefully you can avoid any health problems down the road. Drumming is more akin to a sport and you have to maintain your health to fully enjoy it and all its facets.

GEAR

What was your first kit?

Steve: I can't even remember what brand it was. It must have been about 50 years old and probably came from a Sears catalog. It was just a kick drum and a snare. I sold it two years later for a dollar.

Kiyoshi: Taiko drums are prohibitively expensive to own. The huge Taiko drums with heads over 4 feet in diameter can cost up to $500,000. Most Taiko drums are owned by a community or group rather than by an individual. I bought my first Taiko when I started to play professionally 10 years ago. It cost me over $8,000 to buy one drum from Japan! I now own a full set of various sized Taiko from performance savings and thanks to my sponsors in Japan.

Chris: My folks bought my first kit when I was six years old. I believe it was a "Black Diamond" - some German department store set. It had weird wax paper-like heads that would divot just looking at them. It survived almost three years of abuse before I graduated to a "real" drum kit.

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How has your setup evolved since first playing drums to now?

Steve: It's changed a lot. At one point I had three kick-drums, roto-toms, octabons, and a few gongs. But now it's been toned down a little. I like my drums set up so that they're nice and close to one another. I want it to feel like the drums are giving me a hug.

Paul: I now place all the cymbals close and not too high because of this (points to his shoulder). I've always liked 10[Symbol Not Transcribed] [straight double quote], 12[Symbol Not Transcribed] [straight double quote], 14[Symbol Not Transcribed] [straight double quote], 16[Symbol Not Transcribed] [straight double quote] for toms and 22[Symbol Not Transcribed] [straight double quote] for the bass drum.

Dave: I grew up with the Jazz, Buddy Rich-type set up with one tom, floor tom and the ride cymbal was always very close to me.

Chris: I started out on a typical five-piece with a ride on the right and a crash on the left. Then I went through my Van Halen days and added five roto-toms. After that I used a seven-piece kit for the better part of a decade. For the past three years I've been going with a four-piece (14[Symbol Not Transcribed] [straight double quote] snare, 12[Symbol Not Transcribed] [straight double quote], 14[Symbol Not Transcribed] [straight double quote] toms, 22[Symbol Not Transcribed] [straight double quote] bass drum), 14[Symbol Not Transcribed] [straight double quote] hi-hats, a couple of crashes (17[Symbol Not Transcribed] [straight double quote] and 18[Symbol Not Transcribed] [straight double quote]) and a ride (20[Symbol Not Transcribed] [straight double quote]).

Does it change often?

Steve: Not really. My tech sets them up exactly the same everyday... or else.

Paul: It depends on what type of music I'm playing, but it hasn't changed that much over the years.

Dave: I keep it consistent these days. Sometimes when I do play different set-ups it can inspire me for solo ideas.

Chris: When I bought my last kit I ordered the 8[Symbol Not Transcribed] [straight double quote], 10[Symbol Not Transcribed] [straight double quote], 12[Symbol Not Transcribed] [straight double quote], 14[Symbol Not Transcribed] [straight double quote] and 16[Symbol Not Transcribed] [straight double quote] toms even though I've only used the 12[Symbol Not Transcribed] [straight double quote] and 14[Symbol Not Transcribed] [straight double quote]. I may break out the whole kit and caboodle just for a yuk one of these days, but for now I'm cool with a four-piece.

Do you use different sets for different types of music or keep a consistent configuration?

Steve: Excluding the tour during which my entire drum kit went missing for eight days, I pretty much use the same drum kit every night.

Kiyoshi: Every song that my ensemble performs requires a different set up or configuration. We use a stage plot for each piece, mapping out where each drum is to be placed on stage. Having the various drums positioned differently on stage as necessitated by the music, which greatly enhances the over all sound from the audience perspective.

Paul: With UZEB I felt I needed more of a flat ride (cymbal) sound, for more colour. At one point I had like three flat rides, one regular ride, a China and a couple of crashes.

Dave: When I wanted to add another tom, I added it off to the side (left of first tom position) and for years I played that way until I played with Chick (Corea). Then I moved them (toms) onto the bass drum. Then I added another tom (that's three rack toms) for some reason and now since my metamorphosis over the last five years I realized, ergonomically I wasn't set up to accommodate the body as well as I should have been. I ended up going back to that original set up when I was 19 moving the toms to the left side.

Chris: I guess I've always tailored my kit to certain types of music. The overall setup stays the same. I just add the pieces in and around it for some diversity.

To what extent do you use electronic drums/percussion live and studio-wise?

Steve: I own a set of Roland V-drums. But I really just bought them because Deryck [Sum 41's singer] bought some before I did and we're kind of in a competition to see who has the coolest gadgets. But now that I own them, we're planning on using them during pre-production for the next record. Until then, I guess they just make my apartment look cooler (or lamer, depending on how you look at it).

Kiyoshi: Never.

Paul: During the UZEB days I used a lot of electronics. In 1992 when UZEB split up I was tired of them so for a couple of years I got rid of them. With some of my own projects I have added a few triggers and pads here and there. It's the type of thing I know I can use them if I need to.

Dave: I don't use them at all now. Not for drums. [Dave did use triggers while playing with Chick Corea.]

Chris: The Roland Octapad was my first taste of electronics. I used it mainly for auxiliary percussion sounds to add to my kit. For one project I can remember a friend of mine using Sony earphones as triggers. We built a kick drum using a Remo practice pad, an old hi-hat pedal with a bolt sticking out of the bottom to strike the pad and plugged it into the back of the Octapad. It worked! Pads and triggers seem to come and go and come again throughout my drumming career.

Please tell us about your favourite piece(s) of gear in your collection and why it is so.

Steve: Right now I have two huge timpani drums on the left and right side of my kit. I have them mounted vertically so that the drum skins are facing inward. I like those, and a little piece of equipment I picked up in Germany called a "Verntrichtenbruum7000". We're not quite sure what it does exactly, but it looks really impressive.

Kiyoshi: My favourite piece of gear is the largest drum called the O-Daiko. We use drumsticks the size of small logs to play it and it has a booming and thunderous sound. It takes four people to lift it into its cradle where it is played with arms raised above our shoulders. Our sponsor in Japan, Miyamoto Unosuke Shoten, donated the drum to us.

Paul: I have a good collection of snares (brass, maple, oak, Dave Weckl Signature model). I have a snare that Hagi made for me when I was in Japan. It's a great second snare (13[Symbol Not Transcribed] [straight double quote] [Symbol Not Transcribed] [times] 6[Symbol Not Transcribed] [straight double quote]).

Dave: I don't really get into 'using' vintage stuff. I have some stuff, but I don't really get into collecting drums. If I could afford it I'd buy cars not drums. I have one of Buddy Rich's (Slingerland) sets from the late '70s era and a couple of older Ludwig and Leedy snares. I've worked hard with Yamaha to develop new stuff. I have my signature snares and a collection of cymbals that I recently helped design with SABIAN.

Chris: I love my "Elvin" (Jones) Signature. 14[Symbol Not Transcribed] [straight double quote] [Symbol Not Transcribed] [times] 7[Symbol Not Transcribed] [straight double quote] maple with 19-ply maple hoops. Very versatile and looks fabulous. A close second would be my 20[Symbol Not Transcribed] [straight double quote] Zildjian K Custom dry ride. I'm not a fan of washy rides. My "K" is clear with a dark, almost thick sounding tone. My 14[Symbol Not Transcribed] [straight double quote] SABIAN flat hats and Tama Probeat pedal have been with me since the early '80s, not to mention around the world a couple of times, and I don't think I'll ever let go of them. Although, lately I have been using other pedals.

MISCELLANEOUS

What do you enjoy doing when not drumming?

Steve: I like reading magazines in search of grammatical errors so that I can write to the editor and complain.

Kiyoshi: I enjoy watching other 'World' percussion performances such as Indian Tabla, Indonesian Gamelan, Brazilian, Korean, and West African drumming. They all share much in common with each other.

Dave: I've graduated to sitting behind the mixing console mixing records... that's my hobby. I have a Pro Tools rig at home.

Chris: Writing drum articles, test driving cars and composing music.

Your most memorable performance?

Steve: There are plenty. But the first one that pops into my head is when we sold out Wembley Arena in the UK last year - either that or when we sold out the Enormo-Dome.

Kiyoshi: Playing an outdoor improvised concert with some of the finest musicians from around the globe at Quebec City's Festival D'ete International. The audience just seemed to really appreciate every moment of the show.

Chris: Playing in front of 130,000 crazy Canucks celebrating Canada Day on Parliament Hill. I grew up in Ottawa so that night was fun for a lot of reasons.

YOUR WORDS

Please feel free to add any comments, advice, words of praise and/or constructive criticism you wish to share with other drummers.

Steve: I would advise any drummer who is starting out to concentrate on the very basics first. I think mastering the book Stick Control early on is a really good idea. I can't think of any better way to develop good co-ordination early on than by practicing with that book... even if it is painfully boring. It's something I wish I had done early on had I known I was going to be a "professional drummer". Also, for those who are starting to use double kickdrum pedals, try practicing with 5-10 lbs. weights strapped to each leg. Running helps too.

Kiyoshi: In Japan, Taiko drumming is not just an art form, but also a way of living. With that in mind, one must always approach the drum humbly and with respect.

Paul: Less is more. Just play for the music... don't show off. Groove!

Dave: You can be creative with just about anything. If you want to be a drummer... learn how to play the drums on acoustic drums. You can't fully learn how to play drums with an electronic set. They (electronic drums) are good practice tools when you can't make a lot of noise, but if you're serious about learning the instrument you have to practice "the" instrument as much as possible. The other advice I have is to be as versatile as you possibly can. Don't pigeonhole yourself by saying, "I'm this type or that type of drummer." That will probably happen all by itself. Learn all styles from the past and present. To survive as just a drummer can be very, very difficult... educate yourself in all aspects of the music business.

Chris: Take all the advice this year's drummers have shared and have fun, work hard and last but not least make sure you're playing with proper technique. It's much better to develop good technique to prevent injury than having to stop playing the instrument you love and fix whatever ails you. That goes for all musicians. Trust me.

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DRUMMER'S RESOURCES

EVENTS

Montreal Drum Fest 2003

Montreal, PQ

November 7-9, 2003

(450) 928-1726, FAX (450) 670-8683

angelillo@videotron.ca, www.montrealdrumfest.com

Percussive Arts Society International Convention (PASIC)

Louisville, KY

November 19-22, 2003

(580) 353-1455, FAX (580) 353-1456

percarts@pas.org, www.pasic.org

Cape Breton Drum Festival

Cape Breton, NS

May 1-2, 2004

(902) 727-2337

bruce@cbdrumfest.com, www.cbdrumfest.com

WEB SITES

www.marching.com

A great site for anyone involved with marching bands. Features links to performing bands from Canada to around the world.

www.drummersweb.com

A source of links to sites pertaining to the various percussion products available, books/videos, teacher and even schools.

www.drumweb.com

Another good site that features links to resources, manufacturers, tips & techniques, a chat room and more.

www.drumbum.com

Tips, merchandise, resources, to help you improve your drumming.

www.drumset.com

An online community for drummers featuring a chat room, forums, resources etc.

www.harmony-central.com/Drums

Lessons, tips, forums, new products... this site has it all for the practicing drummer.

www.taiko.com

A site dedicated to, big surprise here, Taiko drumming.

www.drumlesson.com

The site's Web address says it all: they offer drum lessons.

www.musicbooksplus.com

Music Books Plus offers over 6,000 titles of books, CD-ROMs, DVDs etc. Pretty much anything you could think of to read up on drumming and percussion.

EDUCATION

There are simply far too many schools and educational facilities that offer drum lessons to list in one magazine article. We've prepared a short list of a few schools and/or associations that specifically focus on drums and percussion. Of course there are countless numbers of colleges and universities that offer music courses, and you shouldn't overlook these when selecting a school that's right for you. You can look at your local post-secondary schools to see what music programs they offer. This is only the tip of the iceberg...

Percussion Institute of Technology

One of the world's leading schools of contemporary drumming, Percussion Institute of Technology offers its students a complete immersion in the world of drums. In a program that allows students to learn new grooves or fills in the morning, and then perform the same things on stage later that day. Located in Hollywood, CA, this school teaches drummers the skills they need on the traditional drum kit in addition to techniques used in electronic drumming, digital recording and MIDI sequencing. You can find out more about PIT online at www.mi.edu/programs/pit.htm.

Percussive Arts Society

Although it's not a school per se, the Percussive Arts Society is a music service organization that promotes percussion education, research, performance and appreciation throughout the world. Its in-depth Web site, located at www.pas.org, offers drummers a look into the world of drumming and percussion. Links are offered to a wide variety of resources available to drummers. PAS hosts its annual percussion trade show, Percussive Arts Society International Convention (PASIC) which offers students a detailed, hands-on look at everything new in the percussion world.

KoSA Communications

KoSA Communications was formed to develop and promote percussive events that specialize in professionals participating with students for a mutual learning experience. The programs are taught by some of the finest instructors and artists in the percussion world today. Designed to offer close, personalized learning in an accessible environment, KoSA offers programs in the world of percussion, percussion techniques and emerging percussion technologies. It's become a total immersion into the world of percussion offering instruction in all aspects of music making. KoSA offers week-long courses once a year that include four classes per day, concert percussion ensemble playing, small hands-on classes with instruments, master classes, evening performances, jam sessions and drum circles. Two locations host this event: Vermont, USA, and Cuba. Visit www.kosamusic.com for more details.

Ontario College of Percussion and Music

A little closer to home in Canada is the Ontario College of Percussion and Music. Located in Toronto, ON, this school was founded by Paul Robson in 1965. Robson is recognized as a leading music educator, performer, author, clinician and columnist. The college has trained students that have performed with such artists as Anne Murray, Gordon Lightfoot, B.B. King, Burton Cummings, Kim Mitchell, Whitney Houston, Rush, and many more. The school offers programs ranging from home school right through to MIDI equipment and music computer programs. Find out more about the school online at www.ypca.com/ocp-m/.